Nancy huston scoops a bad sex award

I admit it: I was wrong. I was satisfied beyond a reasonable doubt that BBC Newsnight economics editor Paul Mason would win the 2012 Bad Sex in Fiction Awards for his ikebana-cum-gymnastic efforts in his debut novel Rare Earth: “He began thrusting wildly in the general direction of her chrysanthemum but missing, his paunchy frame shuddering with the effort of remaining rigid and upside down”. But he didn’t. Not only are my credentials as a literary critic now in contention, but my confidence in calling bad sex when I see it has been shattered. At a ceremony held at the stately Naval & Military Club in London (better and in this case aptly known as The In & Out club) Samantha Bond of Downton Abbey fame presented Britain’s least-coveted prize to Canadian author Nancy Huston for her 14th novel, Infrared, about a woman who snaps (as in photographs) her lovers while making love.

31299_3I admit it: I was wrong. I was satisfied beyond a reasonable doubt that BBC Newsnight economics editor Paul Mason would win the 2012 Bad Sex in Fiction Awards for his ikebana-cum-gymnastic efforts in his debut novel Rare Earth:

“He began thrusting wildly in the general direction of her chrysanthemum but missing, his paunchy frame shuddering with the effort of remaining rigid and upside down”.

But he didn’t. Not only are my credentials as a literary critic now in contention, but my confidence in calling bad sex when I see it has been shattered.

At a ceremony held at the stately Naval & Military Club in London (better and in this case aptly known as The In & Out club) Samantha Bond of Downton Abbey fame presented Britain’s least-coveted prize to Canadian author Nancy Huston for her 14th novel, Infrared, about a woman who snaps (as in photographs) her lovers while making love.

The judges were impressed by Huston’s alliterative descriptions of the human body, such as ‘flesh, that archaic kingdom that brings forth tears and terrors, nightmares, babies and bedazzlements’ or ‘my sex swimming in joy like a fish in water’ or this passage which reminds readers (or not) that the brain is the largest sex organ:

When our bodies unite for the third time we leave all theatres behind. What happens then has as little to do with the libertinage prized by the French (oh the blasphemers, the precious precocious ejaculators, the nasty naughty boys, the cruel fouteurs and fouetteurs) as with the healthy, egalitarian intercourse championed by Americans (who hand out bachelors degrees in G-points, masters in masturbation and Ph.Ds in endorphines).

The undaunted might like to read a more graphic excerpt at the Guardian. Huston, who now lives in Paris, did not cross the channel to collect her award, but she did send a brief acceptance speech:

I hope this prize will incite thousands of British women to take close-up photos of their lovers’ bodies in all states of array and disarray.

The plural possessive apostrophe, I’m told, is not an error.

Huston – whose accolades include France’s premier literary prize, the Prix Goncourt, the Prix Femina, and a shortlisting for the 2010 Orange Prize – is only the third woman to win the Bad Sex prize since its inception in 1993.

The Conversation

This article was originally published at The Conversation.
Read the original article.

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Author: bronwynlea

Bronwyn Lea is the author of four books of poems: Flight Animals; The Wooden Cat and Other Poems; The Other Way Out; and The Deep North: A Selection of Poems. Her poems are widely anthologised, appearing most recently in Thirty Australian Poets, Australian Poetry Since 1788, Sixty Classic Australian Poems, and The Penguin Anthology of Australian Poetry. As Poetry Editor at the University of Queensland Press her list included award-winning titles by Australia’s most distinguished poets – David Malouf, John Tranter, Laurie Duggan, John Kinsella, and many others. In 2011 she was appointed the inaugural editor of Australian Poetry Journal. Bronwyn reviews poetry, fiction and non-fiction for a number of literary pages, and she is a Politics and Society columnist at The Conversation. She lives in Brisbane and teaches literature and writing at the University of Queensland.

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