The wrap: poetry in the news (w/e 2 May 2013)

A British scholar finds Vita Sackville-West’s poem to her mistress, Violet Trefusis, when it falls out of a book, while a Canadian poet constructs a found poem from reviews of books by women in major publications (but switches the pronouns to male). Par exemple: “Much of his novel seems held together with a kind of teary hormonal paste”. In Women’s Poetry: Poems and Advice, Professor Daisy Fried proclaims “The Poetess has long felt that women’s equality should be founded in the notion that a woman is no worse than a man” and proceeds to declare Charles Bukowski “our greatest living poetess“.

newspaper-icon-thumb10559428A British scholar finds Vita Sackville-West’s poem to her mistress, Violet Trefusis, when it falls out of a book, while a Canadian poet constructs a found poem from reviews of books by women in major publications (but switches the pronouns to male). Par exemple: “Much of his novel seems held together with a kind of teary hormonal paste”. In Women’s Poetry: Poems and Advice, Professor Daisy Fried proclaims “The Poetess has long felt that women’s equality should be founded in the notion that a woman is no worse than a man” and proceeds to declare Charles Bukowski “our greatest living poetess”. Appalachian Elegy, legendary-feminist bell hooks’ new book of poems, honours the first-people in her native state of Kentucky, while the first known Native American literary writer, Bamewawagezhikaquay (Woman of the Sound the Stars Make Rushing Through the Sky), is remembered on the last day of National Poetry Month. On Poetica Spike Milligan’s poem “Manic Depression at St Luke’s Wing, Woodside Hospital Psychiatric Wing, 1953” opens: “The pain is too much, a thousand grim winters grow in my head, in my ears the sound of the coming dead”, while the working papers to “Sheep in Fog” reveal how Sylvia Plath arrived at the poem’s grim end: “They threaten 
/ To let me through to a heaven /
 Starless and fatherless, a dark water”. A Washington Post critic fears Charles Simic’s whip-smart metaphors are wielding less of a bite, but a professor of economics explains conceptual poets peak early, and experimental poets peak late. Meanwhile a book of cat-themed poetry – I Could Pee On This – swishes its tail on the NPR best-seller lists, amid self-help books and memoirs, while a bemused editor curates a gallery of insouciant feline poems.

Past Wraps:

w/e 25 Apr 2013

Author: bronwynlea

Bronwyn Lea is the author of four books of poems: Flight Animals; The Wooden Cat and Other Poems; The Other Way Out; and The Deep North: A Selection of Poems. Her poems are widely anthologised, appearing most recently in Thirty Australian Poets, Australian Poetry Since 1788, Sixty Classic Australian Poems, and The Penguin Anthology of Australian Poetry. As Poetry Editor at the University of Queensland Press her list included award-winning titles by Australia’s most distinguished poets – David Malouf, John Tranter, Laurie Duggan, John Kinsella, and many others. In 2011 she was appointed the inaugural editor of Australian Poetry Journal. Bronwyn reviews poetry, fiction and non-fiction for a number of literary pages, and she is a Politics and Society columnist at The Conversation. She lives in Brisbane and teaches literature and writing at the University of Queensland.

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