Australian fiction, Beverley Farmer, Carrie Tiffany, Cate Kennedy, Christina Stead, Courtney Collins, Dobbie Literary Award, Elizabeth Jolley, Feminism, Gender, Gillian Mears, Helen Garner, Kate Grenville, Kibble Literary Award, Lisa Jacobson, Literary prizes, Margo Lanagan, Michelle de Kretser, Miles Franklin Literary Award, Stella Prize, The Conversation, The Women's Prize for Fiction, Thea Astley, Women's writing
The Stella Prize, which comes with a whopping $50,000 purse, is Australia’s newest literary prize celebrating Australian women authors. Australia’s other “gendered” prizes for literature include The Kibble Literary Award ($30,000) for a fiction or nonfiction book by an established Australian woman writer; and The Dobbie Literary Award ($5,000) for a first published work by an Australian woman writer. Australian women writers are also eligible to enter Britain’s The Women’s Prize for Fiction (£30,000/AU$45,000), awarded to a female author of any nationality for the best original full-length novel written in English.
It is not impossible that a first book by an Australian woman author could sweep all of these prizes in a literary superfecta amassing a tidy $130,000. Which is exactly what Carrie Tiffany – who last night was awarded the inaugural Stella Prize for her novel, Mateship with Birds – looks set to do.
Of course Tiffany can’t win the Dobbie because Mateship with Birds is her second novel. But that shouldn’t worry her greatly, as she already won it in 2007 for her debut novel, Everyman’s Rules for Scientific Living.
In addition to last night’s win, Mateship with Birds is currently longlisted for the Kibble and the Women’s Prize for Fiction. And it might even pick up The Barbara Jefferis Award – a $35,000 prize for “the best novel written by an Australian author that depicts women and girls in a positive way or otherwise empowers the status of women and girls in society” – which is yet to release a shortlist.
It does’t end there. Mateship with Birds is also longlisted for Australia’s most prestigious literary award, The Miles Franklin, which fueled the gender debate when it served up all-male shortlists in 2009 and 2011. Perhaps in response to these criticisms, this year’s longlist sees the largest number of female authors selected since the longlist was first introduced in 2005.
Of winning the Stella Prize, Tiffany said: “It is astonishing and lovely to be the first recipient of this new prize. The Stella Prize is an opportunity to fete and honour writing by Australian women.
When I sit down to write I am anchored by all of the books I have read. My sentences would not have been possible without the sentences of Christina Stead, Thea Astley, Elizabeth Jolley, Beverley Farmer, Kate Grenville, Gillian Mears, Helen Garner and the many other fine Australian writers that I have read and continue to read.
At the award night, Tiffany announced that she wanted to donate $10,000 of the Stella prize money back to be split equally among the other five shortlistees:
- The Burial by Courtney Collins (Allen & Unwin)
- Questions of Travel by Michelle de Kretser (Allen & Unwin)
- The Sunlit Zone by Lisa Jacobson (Five Islands Press)
- Like a House on Fire by Cate Kennedy (Scribe Publications)
- Sea Hearts by Margo Lanagan (Allen & Unwin)