But surely it would have been a pity not to have seen the trees along this road, really exaggerated in …
Well this is curious. Women outnumbered men on the Miles Franklin Literary Award shortlist by 4:1, and now the judges – for the first time in the Award’s 57-year history – have turned out a shortlist that is 100% female. The all-female shortlist comes less than two weeks after the inaugural Stella Prize of $50,000 for a book by a female Australian author was awarded to Carrie Tiffany for Mateship with Birds. The Stella, which retrieves the given-name Miles Franklin felt she needed to suppress in order to be taken seriously as a writer, was created in indignant response to the all-male shortlists the Franklin served up in 2009 and 2011.
Review of Burial Rites by Hannah Kent
A novel that can be summarised in a single, captivating sentence is a publisher’s dream. Not that ease of marketing is a reliable measure of excellence. Virginia Woolf’s To the Lighthouse (1927), for instance – which could be described as ‘the story of a mother who dies before taking her son to visit a lighthouse, and later a woman completes a painting’ – achieved classic status despite an unpropitious précis. Woolf’s genius aside, it is difficult to imagine a sentence like that sparking an international bidding war of the kind that erupted last year over Hannah Kent’s first novel. Burial Rites – ‘the story of the last woman to be beheaded in Iceland’ – reportedly netted Kent a considerable advance.
The Stella Prize, which comes with a whopping $50,000 purse, is Australia’s newest literary prize celebrating Australian women authors. Australia’s other “gendered” prizes for literature include The Kibble Literary Award ($30,000) for a fiction or nonfiction book by an established Australian woman writer; and The Dobbie Literary Award ($5,000) for a first published work by an Australian woman writer. Australian women writers are also eligible to enter Britain’s The Women’s Prize for Fiction (AU$45,000), awarded to a female author of any nationality for the best original full-length novel written in English. It is not impossible that a first book by an Australian woman author could sweep all of these prizes in a literary superfecta amassing a tidy $130,000.
Review of All that I Am by Anna Funder
“When Hitler came to power I was in the bath.” The sentence shocks with its indulgence – the bather’s husband is in the kitchen crushing limes for mojitos – as it conjures the vulnerability of naked flesh against the army of jackboots that are about to descend upon Europe. It also happens to be the first sentence of Anna Funder’s debut novel, All That I Am, which has had a busy time of late garnering literary awards and accolades. In addition to winning the Indie Book of the Year award, the Australian Book Industry Book of the Year, and the $35,000 Barbara Jefferis Award, it has been shortlisted for the $80,000 Prime Minister’s Literary Awards for fiction.
Review of Mateship with Birds by Carrie Tiffany
Everyman’s Rules for Scientific Living was always going to be a tough book to follow. Carry Tiffany’s début novel, published by Picador in 2005, was shortlisted for various prizes, including the Miles Franklin Literary Award and the Orange Prize. It also won the Western Australian Premier’s Book Award in 2005 and the Dobbie Literary Award in 2007. Everyman’s Rules tells the story of a sewing instructor and a soil scientist who meet aboard the ‘Better Farming Train’ as it passes through the Victorian countryside, and who settle in the impoverished Mallee farmland. Similarly, Tiffany’s new novel, Mateship with Birds, opens in Cohuna, a small town in northern Victoria, in 1953. Harry is a middle-aged dairy farmer, divorced and looking for love.
Review of Moral Hazard by Kate Jennings first published in The Courier–Mail. 22 June 2002: BAM 7.