Review of Burial Rites by Hannah Kent
A novel that can be summarised in a single, captivating sentence is a publisher’s dream. Not that ease of marketing is a reliable measure of excellence. Virginia Woolf’s To the Lighthouse (1927), for instance – which could be described as ‘the story of a mother who dies before taking her son to visit a lighthouse, and later a woman completes a painting’ – achieved classic status despite an unpropitious précis. Woolf’s genius aside, it is difficult to imagine a sentence like that sparking an international bidding war of the kind that erupted last year over Hannah Kent’s first novel. Burial Rites – ‘the story of the last woman to be beheaded in Iceland’ – reportedly netted Kent a considerable advance.
Review of Walking Home by Simon Armitage
Wordsworth – poet–walker par excellence – had the best legs in the business. As his friend Thomas de Quincy noted: ‘Undoubtedly they had been serviceable legs beyond the average standard of requisition. For I calculate, upon good data, that with these identical legs Wordsworth must have traversed a distance of 185,000 English miles.’ In contrast, Simon Armitage’s legs, by his own admission, generally ‘do very little other than dangle under a desk’ or propel him from the multi-storey car park to the railway ticket office. ‘Even if I’m writing about the Sahara or the Antarctic,’ he confesses, ‘I’m usually doing it in a chair, in a room, behind double glazing.’
The Australian Book Review Elizabeth Jolley Short Story Prize is for a short story in English of between 2000 and 5000 words. The prize will be judged by Tony Birch, Maria Takolander and Terri-ann White and first prize is AUD$5,000. Entries close 31 May.
Review of Late Night Shopping by Rhyll McMaster
Broadly speaking, there are two types of epitaphs: those formulated by loved ones to describe the living qualities of the interred; and those that would presume to speak from the grave. Writers, ever reluctant to pass up a blank page – even if it is a tombstone – are disproportionate constituents of the latter. H.G. Wells, father of science fiction, penned his epitaph: ‘Goddamn you all: I told you so.’ Dorothy Parker quipped ‘Excuse My Dust’, while Charles Bukowski, abandoning humour for something bleaker, counselled: ‘Don’t try.’ Rhyll McMaster, who happily still dwells among the living, claims her epitaph will one day read: ‘No-one knows.’
Review of Mateship with Birds by Carrie Tiffany
Everyman’s Rules for Scientific Living was always going to be a tough book to follow. Carry Tiffany’s début novel, published by Picador in 2005, was shortlisted for various prizes, including the Miles Franklin Literary Award and the Orange Prize. It also won the Western Australian Premier’s Book Award in 2005 and the Dobbie Literary Award in 2007. Everyman’s Rules tells the story of a sewing instructor and a soil scientist who meet aboard the ‘Better Farming Train’ as it passes through the Victorian countryside, and who settle in the impoverished Mallee farmland. Similarly, Tiffany’s new novel, Mateship with Birds, opens in Cohuna, a small town in northern Victoria, in 1953. Harry is a middle-aged dairy farmer, divorced and looking for love.
Review of Poets and Perspectives: Kate Llewellyn from University of Wollongong Press
In the 1950s Pablo Neruda turned his back on the high style of his earlier work and began the first of his three volumes of odas elementales. Exploiting the panegyric style of the ode to exalt the simple things of our daily existence – lemons, onions, salt, wine, laziness, and love (among other things and feelings) – he eschewed affectation and all pretences of the intellect. His odes, with their simple language and short irregular lines, are poetry at its most pure and elemental. Similarly Kate Llewellyn’s poems, with their own straightforward celebration of ordinariness, are charming in their directness.
One matter worth celebrating is the fact that the editor of this third anthology is one of the most distinguished poets writing in English. Peter Porter was born in Toowoomba, settled early in England, and over the last thirty years or so has renewed poetic contact with Australia to the point where he edited an important anthology of Australian poetry, The Oxford Book of Modern Australian Verse, in 1996.