Foreword: australian poetry journal 3.1 #animal
Humans may prefer to distinguish themselves from all other multiccellular, eukaryotic organisms but ‘humans’ live only in the philosopher’s imagination. In the …
Humans may prefer to distinguish themselves from all other multiccellular, eukaryotic organisms but ‘humans’ live only in the philosopher’s imagination. In the …
While Kevin Rudd was in Darwin proclaiming the need for “a national imagination” to grasp the economic potential of northern …
The 1990s heralded a new ethos in Australian book publishing: poetry was no longer presumed to be a prestigious staple …
There are two types of people, I once wrote in a poem that riffed on the classic binary: those who are turned on by cutting-edge technology; and those who warm to it only after it is obsolete. The latter, the poem continues, ‘often exhibit great affection for manual typewriters and vinyl records’. Of course, the human relationship to technology is infinitely more varied than this construction would allow, yet it is not unreasonable to speculate that Luddism, as a viable response to our machine-mad world, is in dramatic decline.
Technology (from the Greek tekhnē, meaning ‘art, skill, or craft’) refers to both the tools by which we live – computers, televisions, cars, pianos, pens, heart monitors, fertilizers, machine guns – and the thinking behind them.
The editor of this volume, David Brooks, has included work from many poets who have not appeared before and his distinctive “take” on contemporary poetry (he has been an editor of the venerable journal, Southerly, since 2000) has resulted in a deeply satisfying collection. Brooks’s most recent poetry has been a poetry of experience, passion and momentary distillations into meaning or action, and one senses something of this in his selection.
One matter worth celebrating is the fact that the editor of this third anthology is one of the most distinguished poets writing in English. Peter Porter was born in Toowoomba, settled early in England, and over the last thirty years or so has renewed poetic contact with Australia to the point where he edited an important anthology of Australian poetry, The Oxford Book of Modern Australian Verse, in 1996.