There are two types of people, I once wrote in a poem that riffed on the classic binary: those who are turned on by cutting-edge technology; and those who warm to it only after it is obsolete. The latter, the poem continues, ‘often exhibit great affection for manual typewriters and vinyl records’. Of course, the human relationship to technology is infinitely more varied than this construction would allow, yet it is not unreasonable to speculate that Luddism, as a viable response to our machine-mad world, is in dramatic decline.
Technology (from the Greek tekhnē, meaning ‘art, skill, or craft’) refers to both the tools by which we live – computers, televisions, cars, pianos, pens, heart monitors, fertilizers, machine guns – and the thinking behind them.
The guest editor of this year’s Best Australian Poetry selection is probably best known for his huge verse novel, The Lovemakers, and for his recent collection of short poems largely inspired by local popular songs. He is, as I have said elsewhere, a master of the infinite complexity of Australian social life. He is endlessly inquisitive (in a way that used to be expected of novelists) about the details of an individual’s public and inner life, where the character derives from and how it expresses itself in details. The Lovemakers was not only a study of individuals but also of entrepreneurialism in business (and its counterpart, the drug trade), of Australian sport, and of the legal system, to name only the most important.
The editor of this volume, David Brooks, has included work from many poets who have not appeared before and his distinctive “take” on contemporary poetry (he has been an editor of the venerable journal, Southerly, since 2000) has resulted in a deeply satisfying collection. Brooks’s most recent poetry has been a poetry of experience, passion and momentary distillations into meaning or action, and one senses something of this in his selection.
One matter worth celebrating is the fact that the editor of this third anthology is one of the most distinguished poets writing in English. Peter Porter was born in Toowoomba, settled early in England, and over the last thirty years or so has renewed poetic contact with Australia to the point where he edited an important anthology of Australian poetry, The Oxford Book of Modern Australian Verse, in 1996.