Australian Poetry Now

Australian Poetry Now

Once asked what poets can do for Australia, A.D. Hope replied: “They can justify its existence.” Such has been the charge of Australian poets, from Hope himself to Kenneth Slessor, Judith Wright to Les Murray, Anthony Lawrence to Judith Beveridge: to articulate the Australian experience so that it might live in the imagination of its […]

Foreword: australian poetry journal 3.1 #animal

Foreword: australian poetry journal 3.1 #animal

Humans may prefer to distinguish themselves from all other multiccellular, eukaryotic organisms but ‘humans’ live only in the philosopher’s imagination. In the minds of biologists we are Homo sapiens of Kingdom Animalia. Questions of nomenclature notwithstanding, the human relationship to animals is under the microscope in the #animal issue of Australian Poetry Journal. In addition to the myriad roles animals […]

Foreword: australian poetry journal 2.2 #art

Foreword: australian poetry journal 2.2 #art

Not surprisingly – poets being aural creatures – the #art issue of Australian Poetry Journal thrums with music. In Philip Hammial’s ‘Walk that Walk’ Afro-Cuban jazz-king Machito (Crowded Fingers) Smith thinks, along with Zelda Fitzgerald, that ‘Al Jolson is greater than Jesus’. In Philip Salom’s ‘Counterpoint with Red’ Glenn Gould guns through Bach in a triptych of waltzes showcasing the pianist’s architectural tics and copious pharmaceutical predilections. ‘The purpose of art’, Gould wrote in 1962, ‘is not the release of a momentary ejection of adrenaline but is, rather, the gradual, lifelong construction of a state of wonder and serenity’. Always more concerned with the effects of art than the product itself, Gould argued that art’s ‘justification’ (should it need one) is ‘the internal combustion it ignites in the hearts of men’.