Once asked what poets can do for Australia, A.D. Hope replied: “They can justify its existence.” Such has been the charge of Australian poets, from Hope himself to Kenneth Slessor, Judith Wright to Les Murray, Anthony Lawrence to Judith Beveridge: to articulate the Australian experience so that it might live in the imagination of its […]
Extract from chapter in Cambridge Companion to Creative Writing
“The line,” as James Logenbach contends, “is what distinguishes our experience of poetry as poetry”. Whenever we see, or more importantly hear, language arranged in lines we know we are entering the gallery of the poem. White space and silence frame the poem and alert us to its language. Consider the difference between William Carlos William’s “The Red Wheelbarrow” set as prose – “so much depends upon a red wheel barrow glazed with rain water beside the white chickens” – and the same words set in lines.