This year’s miles franklin is all woman

Well this is curious. Women outnumbered men on the Miles Franklin Literary Award shortlist by 4:1, and now the judges – for the first time in the Award’s 57-year history – have turned out a shortlist that is 100% female. The all-female shortlist comes less than two weeks after the inaugural Stella Prize of $50,000 for a book by a female Australian author was awarded to Carrie Tiffany for Mateship with Birds. The Stella, which retrieves the given-name Miles Franklin felt she needed to suppress in order to be taken seriously as a writer, was created in indignant response to the all-male shortlists the Franklin served up in 2009 and 2011.

milesWell this is curious. Women outnumbered men on the Miles Franklin Literary Award shortlist by 4:1, and now the judges – for the first time in the Award’s 57-year history – have turned out a shortlist that is 100% female:

The all-female shortlist comes less than two weeks after the inaugural Stella Prize of $50,000 for a book by a female Australian author was awarded to Carrie Tiffany for Mateship with Birds.

The Stella, which retrieves the given-name Miles Franklin felt she needed to suppress in order to be taken seriously as a writer, was created in indignant response to the all-male shortlists the Franklin served up in 2009 and 2011.

But any point of distinction the Stella Prize sought to make has not eventuated. In fact the 2013 Stella and Franklin shortlists look remarkably similar.

Not only are both lists composed entirely of women, but Tiffany and de Krester appear on both. And while first-time novelist Romy Ash fell off the Stella shortlist, she has held her ground in the Miles Franklin.

But in what appears to be a blatant – but not unwelcome – effort to muscle its way back to Australia’s top dog literary prize, this year the Miles Franklin has increased its cash prize by $10,000 to $60,000.

And Miles Franklin shortlisted authors needn’t feel pressured to follow Carrie Tiffany’s generous lead in returning $10,000 of her Stella Prize win to share equally among her shortlisted comrades.

In another new initiative, Miles Franklin shortlisted authors will be awarded $5,000 in prize money by the Copyright Agency’s Cultural Fund, a long term partner of the Miles Franklin Literary Award.

It’s a win-win situation, for Australian women authors at least.

Speaking on behalf of The Trust Company, which manages the estate of the late Miles Franklin, Simon Lewis congratulated all the shortlisted authors:

The shortlist demonstrates how strong Australia’s pipeline of female literary talent really is, as witnessed with last year’s Miles Franklin winner, Anna Funder, as well as by the growing number of first time female authors included in the long and shortlists in recent years.

“We look forward to announcing yet another outstanding Australian female literary talent on the 19 June as the 2013 Miles Franklin Award winner,” Mr Lewis said.

Since the Miles Franklin Award began in 1957, a woman has won only 14 times. This year the count creeps up to 15.

The Conversation

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XX chromosomes returned to the Miles Franklin

439628-anna-funderJust because it’s the debate we had to have, didn’t mean it wasn’t going to hurt.

The fracas began in 2011 when the Australia’s most prestigious literary award, the Miles Franklin, unveiled its all-male shortlist.

The gender imbalance might have gone unnoticed, if it hadn’t coincided with the latest VIDA research that revealed an alarming under-representation of female authors and critics in international literary pages.

Back in Australia, female authors were horrified to find VIDA’s inequities replicated in Australian publications. In sharp response, Sophie Cunningham and a handful of writers, publishers and commentators decided to do something about the lack of profile accorded female authors.

The result is a $50,000 literary prize for a book in any genre by a female Australian author: The Stella Prize. The eponymous award retrieves the given-name Miles Franklin believed she needed to suppress in order to be taken seriously as a writer.

Forwarding a year, Professor Gillian Whitlock announced, at the Mitchell Library in Sydney today, a very different Miles Franklin shortlist for 2012:

Speaking on behalf of the judging panel, Whitlock framed the shortlist in terms experience rather than gender: “The breadth of the shortlist includes well-known and loved Australian authors, as well as featuring two wonderful first-time novelists.”

She also highlighted the power of historical fiction (Funder and Moore) and an observable turn to trauma narratives and childhood (Birch, Mears and Parrett).

Debates on gender – along with the concurrent debate on the invisibility of Australian literature – are useful and will lead to greater understanding of our literary milieu. But it would be a travesty if these conversations were to throw doubt over the merits of the female authors shortlisted amid the uproar.

Frank Moorhouse is the heavy hitter on the list, but from what I hear the contest is still very much alive. The winner will be announced in a ceremony at the State Library of Queensland in Brisbane on 20 June.

The Conversation

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